Seated with a window on my right I can barely see the extremity of the wing, too big, too windy, too dark. On board the KLM crew is struggling to make function each individual video screen. Organized as I'm I forgot my book in my checked luggage, so I re-started Bel-Ami on my tablet to kill the time. Eventually the on-board team succeed to reboot the system, but I will only see 15min of something on a bad screen and left to say hello to Morpheus.
When I wake up it's Amsterdam again. Next day. I'm getting closer. Two more hours waiting and a last jump in the sky to Berlin. Smooth landing, I get my luggage and my TXL almost immediately. Good to be home. People are drinking beers in the bus, no one is hiding. Started in New York Upper West Side near 96st - and some cream cheese bagels for the breakfast - with several stops in Wall Street, stopping by the North and South Pools and continuing by a short visit in l'Imprimerie on Spring Street 11 I finish my journey as I started it yesterday, with something to eat, kettwurst it was.
If as the previous editions the crowd of attendees remains similar - la crème de la crème of the color scientists - you can detect a slight dominance according to the conference location or with whom is organized the event. This year the keynote sessions where for both color scientists (CIC) and medical imaging scientists (IADP), then sessions were ran in parallel.
The joint keynotes brought interesting discussions. They were highlighting another practices of imaging system - like microscope - in the medical world. That is not a surprise that the imaging system described can provide very different visual results, from one microscope to the other the data do not appear identical to human observers but the extraction of information should. In one word there is no reference images or colors when the practicians is looking at samples, but they know that each patient is different and can base their diagnostic on their experience. In comparison to the CARS event, the IADP was much less about computer assisted radiography and more about image analysis (at least for what I have seen).
One thing I remind in particular is the new range of LEDs available - for some years already - and the changes that go with them. It is possible to design the properties of your lights - its spectral power distribution SPD - at very narrower wavelength bands. What does it mean? It means that you can really shape the gamut of your display or light installation, this in term of triangle shape in the color space of your choice. But being able to define a larger, wider color gamut on a sketch is not or should not be the only goal. We also have to think of the internal color space distribution, after all the light source we are most of the time in contact - the sun - has a very different SPD. The good side of it is the door open for us color scientists to continue exploring these new spaces.
It was good to see how my field of studies during my PhD - multi-spectral color reproduction, multi-colorant printing - has evolved. How multi-ink printing systems that were semi-experimental some years ago are now the basis of further experimentation. Further more it always a pleasure to hear someone telling you "I have read your thesis" when they see your name and your face for the first time.
But back to our actual trip. I'm arriving from Berlin via Amsterdam. Luckily the Delta Airlines plane is pretty empty - I have two seats for me alone - and equipped with fairly new personal screen, I can actually see something - ce qui n'est pas toujours du luxe. I can say I was efficient in term of watching videos.
Landing was smooth, so was the custom and retrieving my luggage. In the plane I met a fellow going to attend the same conference as me. The reason I'm travelling to Boston is to attend the Color Imaging Conference (CIC22 to be precised). For once we left the South states of New Mexico, Texas or California, no excursion to the desert this time.
But back to Boston as I'm diverging again. The city isn't too big and the public transport is actually existing. I jumped in the subway and reached shortly after landing my AirBnB apartment in South End, somehow the South. Neat. Especially neat if you have seen the average price for an hotel room this week.
Thanks to the conference organisation I'm able to attend the event another time. In a smaller city all attendees are usually staying in the same hotel. This time not. Meaning I will have to wait tomorrow to meet the color scientist fellows, except one coming from France with whom I'm sharing the flat. According to plan and his plane he should arrive soon.
13:30 lundi, journée ensoleillée, temps idéal pour aller filmer des images en plein air dans le fin fond du Brandenburg. Rendez-vous sur le quai du Regio à Alexander Platz, un cameraman ou un Malte, une réa ou une Dora l'exploratrice et un accompagnateur ou photographe animalier de plateau. L'heure du rdv a été avancée, le changement d'horaire du weekend y est un peu pour quelque-chose. La mission est simple, ramener quelques images d'animal sauvage dans la forêt.
Train à l'heure, 24min de trajet et nous sommes dans la pampa forestière pas loin de Erkner. Notre contact vient nous chercher, sorte de Robinson trappeur vivant entre son camion, sa caravane et sa trentaine de chien husky. Pénétrer dans son van est déjà une expérience sensorielle intéressante. La réa est devant, le petit personnel en équilibre derrière entre cages et câbles, on s'accroche où l'on peut.
14.44 le van s'arrête, tout le monde descend. Quelques enfants en visite au chenil nous accueillent avec des questions, ils savent que des gens de la ville viennent filmer et ils veulent savoir sur quelle chaîne de TV seront montrées nos images. Dora leur explique que ces images sont en fait destinées à un film, on vient de perdre un spectateur, qui va au cinéma quand on a une tv, un smartphone ou un ordi?
Le casting commence, deux auxiliaires de Robinson nous ouvrent les portes, les chiens aboient et exhibent chacun leur dentition parfaite en contraste totale avec celle des êtres humains ici présents, je n'avais encore jamais vu de piercing de dent d'aussi proche. Les chiens ont l'air bien meilleur santé que les humains.
Nous quittons le chenil pour la forêt à la recherche d'un spot. Une demi-heure plus tard le tournage commence. Toute la difficulté étant de maintenir le cousin de Beethoven en place, de dissimuler sa laisse dans son dos et son maître derrière un arbre.
Sur le retour nous marchons entre la forêt et quelques maisons, parfois des chiens aboient à notre passage. Robinson ne dit que "tsss" tout doucement à son husky qui comprend, regarde vers le chien aboyant et reste calme, Robinson sourit.
17:07 sur le quai dans la forêt. Le Regio arrive. 24min plus tard nous sommes de retour en ville. Toujours impressionnant de vivre ces changements d'atmosphère en si peu de temps. De passer du futur - Berlin ville modèle pour toute station spacio temporelle qui se respecte - à l'age de pierre - la forêt avec Robinson et ses chiens - en quelques kilomètres seulement. Pas le même changement que Prenzlauerberg versus Marzahn en terme d'urbanité, mais la même impression de distorsion distance versus temps, si proche si loin.
15:00 we meet in Hackescher Markt as we leave away almost immediately. The area is peaceful and quiet after 18:00 if you are going to the cinema, but before it's touristic hell on earth. We walk toward the Spree, take some pictures and I go back home.
19:00 quiet agenda for the Saturday evening, only a finissage in a gallery some hundred meters away from our home address. At the end of the Project Space Festival last August I met Andreas who is running the Greusslich Contemporary gallery.
My first plan was to stay shortly, to visit the gallery - gallery located in an apartment not on the ground floor - and to go home. I went home, but 3 hours later. Even so you are entering an apartment, you are entering a gallery. The white color on the walls, the light grey on the floor, the homogeneous lighting, the place itself or the volume is the part of the exhibition - but I'm probably influenced by the last month project space festival I have attended - which makes me a bit lazy when it's time to look at the art pieces selected by the curator. Being there is almost enough. Next time I will be less impressed by the place and will be able to pay more attention to the exhibited works.
All along the finissage small groups were formed, my group was constituted of two Germans women, one Austrian man and myself. Always a pleasure to practice my German skill in such condition, talking about art, color and irrelevant things while drinking beer.